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EXHIBITIONS2018-08-01T14:14:32+00:00

EXHIBITIONS

CURRENT
FUTURE
PAST

CURRENT

Turbine Art Fair

Working mostly on large canvases, sometimes coupling or grouping panels together, Georgia Lane presents In this Time, a solo exhibition  that explores the juxtaposition of time and place, questioning the boundaries of memories and actions by creating intricate paintings that reminisce and record places past.

Exhibition opens –  1 August 2018

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LOYISO MKIZE

The exhibition is set up in order to confront these terms and imagine their different possibilities, less bound by the assumption of being lesser than but rather reaching towards an understanding of being multiple and expansive.

Exhibition opens Thursday, 05 July 2018, 18h00, at 69 Burg Street, Cape Town.

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Natasha Barnes

Natasha Barnes

Natasha’s paintings take inspiration found in her travels and her love for the rich African images surrounding her life. Her experience is transferred onto canvas in a myriad of expressive brush stroke and harmony of colour. Natasha’s paintings are abstract in that her creative process is to absorb the sensation of her physical experience then transfer to the canvas without looking at the subject.

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Samson Mnisi

Zolani Siphungela

Samson Mnisi also whose late name translates to “Rain maker”. Born in 1971 in Lesotho, Samson is a Soweto Based Artists, who studied Fine Art and photography at FUBA Academy. He has had numerous groups and solo exhibitions, locally and internationally.

Exhibition opens Thursday, 05 July 2018, 18h00, at 69 Burg Street, Cape Town.

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FUTURE

Coming Soon!

PAST

LOYISO MKIZE

The pull the edge of a thread. To unravel the cloth. To grab hold of something and walk with the eventuality it leads towards. Or away from. The Edge of a Thread exhibition is a group show that wraps itself around and through any and all mediums, with artists weaving and winding through their own practice, stitched together with cement, pixels, fragments, leaves and pigments within the Eclectica Contemporary gallery space.

Exhibition opens Thursday, 07 June 2018, 18h00, at 69 Burg Street, Cape Town.

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Turbine Art Fair

For Turbine Art Fair 2018, the gallery features a selection of artists from South Africa, whose art practices demonstrate innovative and exciting approaches to dealing with notions of new African narratives within the contemporary discourse.

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Aimee Lindeque

Variation/Distinction
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Zolani Siphungela

Zolani Siphungela
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With Vincent Osemwegie, Anthony Lane and Duduza Mchunu

Variation/Distinction
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Variation / Distinction

An exhibition exploring the distinction of line in varying mediums and topics. Each artist elaborates around notions of interaction and variation through, around, within and across lines of people, worlds and beings.

In a world where lines are often blurred and circumstances are more frequently confronted by knee-jerk reactions, Variation/ Distinction considers the personal narrative within this – from abstracted figurative sculptures to portrait paintings and deeply intimate video installations. Exploring the personal means that artists are able to tap into the resources most easily available to them, while also catalyzing an interaction of tense self-reflection. Both easy and harshly challenging, confronting and exploring the personal results in a complexly relatable set of ideas and notions. All people uncover and explore their own identity in different ways but the singular connector of self-study is a key thread that wraps around us all.

the presence of absence | Christa Myburgh

The strength held by mothers was once described by Maya Angelou as “a hurricane in its perfect power. Or the climbing, falling colors of a rainbow”. The process of building this body of work and maintaining life as a single mother resulted in Christa Myburgh’s solo exhibition being something like the climbing and falling rainbow that Angelou describes. In this exhibition, intensely personal and intimate events contribute to an undercurrent theme of fragility, illusion and absurdity. For her solo exhibition at Eclectica Collection, Myburgh undertakes size, perspective and chiascurro to illuminate a lived reality that she associates with her life as a mother of two young children.

Exhibition opens Thursday, 05 April 2018, 18h00, at 69 Burg Street, Cape Town.

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Christa Myburgh
Ben Coutouvidis

Limb | Ben Coutouvidis

The title of this new exhibition alludes to the physicality of the work – in forms and shapes and in making, from the intertwined roots and branches of trees reaching out across the canvas like fingers and legs and toes, to the spliced and re-articulated sculptural figures. ‘Limb’ gestures through language and imagination. The works in this exhibition explore and illustrate the notion of speaking through movement, using different mediums to articulate different thoughts that come together around the central connection of gesture, different notions of body and the worlds that we find ourselves in. 

Exhibition opens Thursday, 05 April 2018, 18h00, at 69 Burg Street, Cape Town.

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Loyiso Mkize: Signal 2 Soul

“This body of work is a deconstructive journey inward.  Here I model light and dark expressively and deliberately as a way to observe the seen and the unseen of the human form. Who we are as well as who we appear to be. Taking on the shadow plane, I explore the “darkness” using colour. The shadow plane is drenched in a colour field, an entire colour landscape where I search for my connection with whom Im depicting. What stories hide behind our everyday facade (the side of us caught in the light)? And how do we establish identity with these two fields of existence?  Behind the lit plane description of who we appear to be, is a universe of memories, emotions, ideas, experiences, loves, hates, prejudices, interests , opinions, beliefs etc. This devise itself is positively charged with intensity and vibrancy which I believe in a way illuminates our inner truths and possibly serves as an agent encouraging us to relate to one another more effectively. To be inquisitive enough not to perceive one another at face value, but to brave the mysteries of the unseen and in so doing acquire signal to the soul.” – Loyiso Mkize

Exhibition opens Thursday, 01 February 2018, 18h00, at 69 Burg Street, Cape Town.

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LOYISO MKIZE
Stop stop click: group exhibition

Stop stop click: group exhibition

“A key question hitting the art world and specifically contemporary photographers is the question of the future of the image. To stop, to pause, to click manifests in everyday life across so many platforms and interactions. To take seriously the art of photography, does this mean a forfeiting of chance? Of the momentary and immediate? Or does it simply mean a reconsidering of interaction and a reframing of approach to image-making?”

– Clare Patrick

Exhibition opens Thursday, 01 March 2018, 18h00, at 69 Burg Street, Cape Town.

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Danielle Zelna Alexander: Beholder

This body of work is an investigation into the notion of construction and the veneer of ‘finishing’ an artwork. Drapery and cloth are used as a metaphor for ambiguity, passivity and tension to confuse the distinction of content, subject and peripheries. The traditional medium of oil paint is juxtaposed with the industrial medium of wall crack filler to highlight the faults or cracks in these physical and conceptual confinements.

An exercise in looking and then looking again. These works bring periphery and framing into question through the seductive lighting of abstract or mundane, blurring what gets to be depicted or represented in the historic medium of oil on canvas. Each work explores an unsettling quietness presented as passivity. Using cloth and physical frames to stand in for narratives of perception and representation, the work attempts to grapple with the issues of ambiguity and tensions in relation to the artist’s perception and understanding of identity. It also looks at what that means or is represented as within the art institutional context which, in its authoritarian nature creates a “framework” (context) for the content that it houses to exist in and be presented through. By using certain elements and traditions seen in the canon of art history these paintings set up a conversation around what can be accessed and who gets to engage with art and the institutions associated.

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Danielle Zelna Alexander
Philipp Pieroth

Philipp Pieroth

Berlin artist, Philipp Pieroth investigates spatial relations between individuals and human interactivity as a means to interrogate the alienating context of a capitalist and technologically-based society.  As a result of frequent traveling between South Africa and Europe, his work is informed by immersing himself in spaces that provide interaction and conversation with others in efforts to redefine and re-establish a consciousness around human connection.

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Body, Soul and Spirit: Ley Mboramwe

The work in this exhibition throbs and pulsates through the room, vividly pushing their imagery through the space. The viewer is confronted with Morambwe’s vibrant mark making and use of colour – colours that mimic the heat and fraught environment the paintings draw on. Following on from motifs in his earlier work, Mboramwe’s figures continue to float in space, transfiguring body and flesh, spirit and soul; the abstraction of life that we are eternally caught up in.” – by Clare Pattrick

Exhibition opens Thursday, 01 February 2018, 18h00, at 69 Burg Street, Cape Town.

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Ley Mboramwe - Red Boulet
Layziehound Coka - The Devil Made me Do it

Cross-Pollination: Lars J. Fischedick

“In these works I also explore liminal space, the space between perpetrator and victim, and my own shadow. There seems to be an invisible interconnectedness between opposites. Like a web that keeps them in a co-dependant, energetic relationship. Shadow is not the absence of light (Goethe), light needs shadow and shadow needs light.  Between them you will find all the colours on the spectrum.

– Lars J. Fischedick

Exhibition opens Thursday, 07 September 2017, 18h00, at 69 Burg Street, Cape Town.

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Metaphysical Reflection: Aubrey Chali

Aubrey Chali (locally known as Chali) is a well-known artist on the Zambian art circuit. He has exhibited in many international scenes including South Africa, Europe and Asia. Chali’s uses a semi-abstraction to look at multiple layers of cultural identity within Zambia and throughout Africa. Chali uses the Chitenge fabric with paint to create interesting and unique artistic creations to explore cultural rituals and traditional spiritualism. Aubrey believes his art is a spiritual extension of himself. In order to advance his knowledge, he delves into his imagination, searches his memories and conducts research in order to make connections with others through the use of lines, dots, shapes, designs and tones. Chali considers himself a historian who uses signs and linguistic symbols to trace and document cultures. He often focuses on objects through the use of symmetrical patterns that investigate the past, present and future. Chali strongly believes in a shared universal cultural and spiritual connectedness and thus, aspires to move beyond his local environment discover how this universal kinship is expressed in cultures different from his.

Exhibition opens Thursday, 04 January 2018, 18h00, at 69 Burg Street, Cape Town.

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Metaphysical Reflection - Aubrey Chali

Ubuntu / Uhuru / Awethu: Group Exhibition

” … Perhaps at the very bedrock for the possibility of freedom, peace and humanity is the simple acknowledgment across the spectrum of people, namely the recognition that one does not know the answers to the ultimate questions or even if the questions make sense at all. To ask these questions does not presuppose the opportunity for formal education, though that may  help. Perhaps this self-awareness/knowing then is the beginning of freedom from oppression and the true lived reality of humanity.” – by Dr Danny Shorkend

Exhibition opens Thursday, 04 January 2018, 18h00, at 69 Burg Street, Cape Town.

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Ley Mboramwe - Red Boulet
Self Reflection: Benon Lutaaya

Self Reflection: Benon Lutaaya

Artist Statement:

In this particular exhibition, I’m re-examining my practice as an artist, the medium, techniques and concept as a whole. Over the years, I have felt I needed to master what I have been doing and it has been growing. 

In my world, quality is measured by “improvement” rather than “change” for the sake of fitting into the bandwagon of the elitist, post modern art burble.

I believe in order to achieve some crazy, wild, creative thing, you have to know enough to figure out how to push the limits of what the medium can do. This exhibit marks the end and a new beginning to become of my practise.

– Benon Lutaaya

Exhibition opens Thursday, 07 December 2017, 18h00, at 69 Burg Street, Cape Town.

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The Three Abstractions: Hussein Salim

“My artwork always needs to convey my passion. What I believe, is that artwork is supposed to reach beyond the boundary of the frame and break the laws of physics, society and the very way our minds work.

These paintings are my thoughts married with action. These are when I have “jumped out the frame”. I hope you enjoy them as much as I did creating them.

– Hussein Salim

Exhibition opens Thursday, 07 September 2017, 18h00, at 69 Burg Street, Cape Town.

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three-abstractions-hussein-salim
Vanessa Berlein - Take 5

Karin Preller

Preller is well-known for how she engages photography and painting. With the use of personal archives such as family albums and home movies, she creates a momentary nostalgic recollection of the banal. By focusing on these memories she valorises these brief moments of everyday life that often get overlooked. The use of paint as a medium adds to this notion as it requires much delicacy and tenderness when rendering the real, thus it becomes a specific memory pulled out of the past, laboured on with care and brought into timelessness as an object unable to fade as memories do. The use of photography as origin of subject for these paintings creates a dialogue between the media, as it evokes ideas around representation when something becomes so translated. A photograph is often seen as captured truth, yet painting can often be seen as fictitious – like a memory. Thus, the translation of memory, to photograph and then to paint starts to convey the struggle of holding onto an experience as they become further fragmented; lingering only as fragile traces. Reminding the viewer of the preciousness of everyday lived moments.

Exhibition opens Thursday, 02 November 2017, 18h00, at 69 Burg Street, Cape Town.

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The Scent of Joss sticks: Vanessa Berlein

Embedded in a time of increasing technological and industrial change, society is in a state of rapid, constant redressing. We open ourselves to an array of costumes tailor-made to perform in unique or a vast range of contexts and circumstances. We fulfil certain roles in the play of society, changing between the political, social, cultural and environmental as one would do during scenes. And as a result of a constant and somewhat almost-automatic state of adaptation, we are presented with very little time to breath, look back and revel in what we have progressed from.

Her body of work appears to create a time lapse, as she combines jubilant subject matter with bare edges of canvas and paper with distressed surfaces, revealing the ageing presence of time and process. And like the split seconds between inhaling and exhaling, she places the viewer in a space where the progression of time and the passing of it briefly congregate. It’s as if she stages a dubious moment of farewell rather than goodbye. Although she presents the viewer with a realization pertaining to the decay of time and matter, she too offers an opportunity to preserve what is left and what one can take from the moment. – Kirsten Arendse

Exhibition opens Thursday, 02 November 2017, 18h00, at 69 Burg Street, Cape Town.

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Vanessa Berlein - Take 5
Asuka Nirasawa, Japan Cell 1 2013 Acrylic on round canvas 502mm x 502mm x 13mm

Asuka Nirasawa

Nirasawa’s travels have had a great influence on her practice stylistically. She has been influenced by the architecture of Amsterdam, the graffiti in Rome and largely by fabrics of various eastern countries. This aesthetic stimulus can easily be seen in her works on the cells. The meticulous detail articulates the biological complexities of the cells. The vibrancy of the colours conveys strong energy, and even beauty, as she conceptually engages with powerfully debilitating diseases. These include HIV, various cancerous cells, leukemia, sickle cells, liver fluke and osteoporosis growing and multiplying in their microscopic world. This subject is inspired by the memory of her father who passed away from lung cancer, thus a manifestation of the body that can live on as sacred and still beautiful.

Exhibition opens Thursday, 02 November 2017, 18h00, at 69 Burg Street, Cape Town.

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Eclectica Contemporary is honoured to announce the opening of Not a Judge, Not a Saint, a solo exhibition featuring: Johannesburg based artist, Layziehound Coka.

Not a judge, not a saint, a “neither-nor” statement with a slightly deceiving sense of neutralism reveals the ease at which we dissociate ourselves from the judgements we make. Layziehound questions the power trajectories prevalent in society, be they religious and socio-political ideologies or those whom uphold them. His large, gestural body of work expresses a turbulent experience of conflict when tackling the so-called moral compass the artist and those of us alike are taught to live by.

Exhibition opens Thursday, 03 August 2017, 18h00, at 69 Burg Street, Cape Town.

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Layziehound Coka - The Devil Made me Do it
Leila Fanner - Meeting At The Mural
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Eclectica Contemporary is honoured to announce the opening of Redemptive Beauty, a group exhibition featuring: Leila Fanner, Jess Holdengarde , Stephane Conradie, Sue Greeff and Janna Prinsloo

Exhibition opens Thursday, 01 June 2017, 18h00.

We look forward to seeing you there!

REDEMPTIVE BEAUTY:

Beauty is relative and changes as does fashion. Art, often thought of as the exemplary case of the aesthetic, does not implicate a definite notion of beauty and the so-called classical is no longer a tenable notion. This was made palpably obvious with Duchamp’s Ready-mades and later pop art and the resultant breakdown of a rigid distinction between art and life.

However, to complicate the issue when we speak of beauty it need not simply be a reference to formal, surface components, but to an extra-aesthetic dimension in which case one might speak of the beauty of an idea or the opposite, in which case the resultant aesthetic is not free of context in which it is born – beauty itself is thus more than simply the exterior garb. This one might term the postmodern acknowledgement that local histories rather than global, overarching truths and corresponding constructs of beauty mean that, at best, the aesthetic dimension ought not be considered the final word or rather the visual correlate of a or any system. There is thus no necessary ultimate form or conception of what is beautiful.

Beauty as redemption may be a lie, a veneer and surface that masks (or reveals) an ideological system bent on power and coercion. And beauty can be redemptive if it is defined in terms of a logical truth perhaps in the form of a mathematical equation or a more emotive one, like an honest smile to another. Art often sees the ugly truth. Beauty can be canonised and art its favourite emissary. But perhaps most significantly, art may offer new visions of beauty qua truth/s.

Dr. Danny Shorkend

The Rape

Eclectica Contemporary is proud to present a new solo exhibition by Sorrel Hofmann entitled “The Rape”. Following on from her highly successful debut exhibition at the UCT Irma Stern Museum earlier this year, this body of work examines the harm inherent in seemingly healing gestures and therapies, ranging from the environmental to the psychological.

Consisting of paintings, sculptures, photography and large-scale installation, Hofmann takes seemingly everyday objects and minimalist artistic marks and weaves a complex and highly charged network of connections between them. “The Rape” forms the first part of an ongoing project by the artist entitled “Freud and Friends” and begins a process of seeking to untangle, critique and reimagine a nexus of control, prejudice and domination that pervades human existence in an increasingly globalised and spiritually fractured western-centred world.

Hofmann’s works are lyrical, meditative but nonetheless deft and forceful. As critic Danny Shorkend noted with reference to her previous exhibition “Atlas”: “her ability to say something with an economy of means, that is the fact of simplification, a sense that the clutter of sensations and feelings have been reduced, for want of a better word, to a few basic shapes and lines” is noteworthy.

Sorrel Hofmann’s new exhibition will be an opportunity to see the latest work by an artist who is gaining increasing attention for her unique approach to material and pertinent subject matter.

Sorrel Hofmann: Installation 1
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Eclectica Contemporary is honoured to announce the opening of Redemptive Beauty, a group exhibition featuring: Leila Fanner, Jess Holdengarde , Stephane Conradie, Sue Greeff and Janna Prinsloo

Exhibition opens Thursday, 01 June 2017, 18h00.

We look forward to seeing you there!

invite image
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Eclectica Contemporary is honoured to announce the opening of Paradise Regained, a group exhibition featuring: Thonton Kabeya, Michael Selekane, KyuSang Lee, Vincent Osemwegie and Leonard Shapiro.

These exceptional artists were invited to participate in a group exhibition the theme, of which is directly inspired by John Milton’s epic poem, Paradise Regained. The artists who each, in some way, break the boundaries of their chosen media and practice, have been left to freely interpret the theme as they wish.

However, we offer you this…

What can Milton’s work teach us within an African and South African context and can paradise be regained? The significance of basic education that is broad, deep and open as a right to all; the need for heroes and heroines to fight against social injustices; that the more negative side of the self is insidious; that we are the guardians of the earth and Eden can be made out of this earth – that should we open our eyes we may yet see that there are pockets of paradise right here in South Africa…

Exhibition opens Thursday, 06 April 2017, 18h00.

We look forward to seeing you there!

BLACK MAGIC, a solo exhibition by Loyiso Mkize

This collection is an exploration of the contemporary black experience, encapsulating the varied themes that inform the modern black landscape. This body of work intends to extract familiar key aspects to take apart, understand and reassemble what belonging to this group is and what belonging means. Specifically, how we are represented in conversation with how we choose to represent ourselves.

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Complicit Geographies

From the Stone Age, Bronze Age and Iron Age to this Age of multi-material, technological response following the industrial revolution 250 years ago. The ages of human technologies have been defined by our access to and ability to use different mined resources.

Mining provides us with all the ingredients to manufacture the technologies of our contemporary world. Behind mining are rich and contentious histories that have shaped social hierarchies.

The exhibition title encompasses bodies of work responding to different aspects of humans engagement and interaction and use of the wealth extracted from our planet, Earth.

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Creative Destruction was termed in relation to economic principles that focused around the manifestations of capitalism. Joseph Schumpeter, the man who phrased the concept in 1942 (a time of particularly creative destruction), hailed from Austria and was known as an ardent capitalist, who saw creative destruction as ‘the essential fact about capitalism’.

In the age of technology, with new devices and applications endlessly being created the possibility for communication is broadening and extending more than we had ever imagined. Social networks bombard us with images constantly; videos, pod casts, screens of news feeds and timelines replacing broadcasts, books, journals and newspapers crowd our everyday existence. Schumpeter, used the example of the railroad to demonstrate his ideal working of the principle: as a powerful transforming agent that opens up new opportunities while clearing away old areas of stagnated activity. In many ways, communication confronts this notion, with the visual becoming more central and accessible and as such, the contemporary dynamics have an affect on the visual medium that often is Fine Art. Where do we go from here and how can the practice of art making learn to negotiate and reposition itself today?

The change of season and the rehanging of a new show for Eclectica Contemporary aims to refresh and re-picture ideas of summer and the considerations of the end of 2016. Creative destruction offers a vehicle for response that can be used to encourage creation and open up new conversations.

Creative Destruction

Creative Destruction

A Group Exhibition Featuring:

Katlego Tlabela
Ndikhumbule Ngqinambi
Chris van Eeden
Daya Heller
Jeannette Unite
Ronald Muchatuta
Ley Mboramwe

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(MANIATA) Lingala

24/10/2016 – 05/11/2016

Ley Mboramwe on Show with Asanda Kupa!

Ley Mboramwe: (MANIATA) Lingala

Ley Mboramwe hails from the Democratic Republic of Congo. He completed his degree in Fine Art at the ‘Academie des Beaux’ in Kinshasa (the centre of Africa). His life experience in the Congo, its suffering, beauty, politics, culture and economic circumstances is evident in his work.

The human body is used as a means of storytelling and a reflection of life. Where stories, such as looting, hunger, disease, nightmares, dreams and the joys of human existence are theoretically portrayed.

He uses the body as a mirror to the soul.

The exhibition opens Monday, 24 October 2016.

We look forward to seeing you there.

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Un_Learn, my soul

06/10/2016 – 05/11/2016

Asanda Kupa: Solo Exhibition

Asanda Kupa is a rising talent amongst South African painters. He was born in Molteno, in the Eastern Cape and has always been drawn to the illustrative arts. His expressive mark making and abstraction of the human form creates a vivid and moving body of work that seems to explore change, progression and alteration through the language of narrative painting in a uniquely abstract manner. Kupa’s gestural works command a great presence in each space they can be found and his investment of time, energy and emotion as well as immense skill becomes apparent.

The opening of the exhibition will start on Thursday, 6 October 2016 at 18h00.

We look forward to seeing you there.

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Restone Maambo: LEVITATION

Restone Maambo’s first solo show is held at Eclectica Contemporary from the 1st of September 2016. The works are painting and mixed media on canvas and work through the theme of Levitation.

01/09/2016 – 01/10/2016

A debut solo show

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The visitors from Mars
Restone Maambo; LEVITATION
Eclectica Contemporary - Charting Invite

CHARTING

07/07/2016 – 27/08/2016

An inaugural exhibition curated by Andrew Lamprecht

Eight contemporary painters will explore new directions, techniques and ideas in their medium, responding to local and global issues that have emerged in the wake of decolonization, the end of institutionalized Apartheid and the challenges and opportunities of a globalized world. The title ‘Charting’ implies a journey and making one’s way in territories that are being explored as well as the idea of concepts, artists and themes that are on the rise and coming to the fore. This, the first exhibition in a new gallery and exhibition space, has been guest curated by Andrew Lamprecht, Cape Town-based lecturer and writer.

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2016 Silent Auction

Bid Or Buy
From Michaelis Students, Emerging & Established Local Artists & Collectors

03/08/2016 – 04/08/2016

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Michaelis Fundraiser Auction 2016

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