Whispers in the Night
In this exhibition, we bring together the works of three exceptional artists from different corners of the globe, each at a unique stage in their artistic journey. Through their distinct styles and perspectives, they explore the rich themes of spirituality, folklore, and contemporary art, offering a diverse and profound exploration of these universal concepts. Together, they present a captivating dialogue between the ancient and the contemporary, the spiritual and the material, inviting audiences to engage with art in a meaningful and transformative way.
Nedia Were’s art is deeply rooted in ancient Kenyan spiritual beliefs, incorporating elements like the moon and indigenous flowers to reflect the strong connections between nature and spirituality in local folklore. Among the Kikuyu, the moon is a symbol of fertility and growth, with its phases believed to enhance the earth’s productivity. This connection extends to flowers, such as the Njugu plant, which folklore says blooms brighter under the moon’s light, symbolizing the earth’s bond with the sky. In various Kenyan communities, flowers like the fragrant hibiscus are offered to the moon during rituals to seek blessings for love and harmony. Were channels these rich cultural themes through his work, using the moon and flowers as vessels of spiritual meaning, merging natural beauty with deep emotional connections.
Richard Nattoo’s work vividly brings pre-colonial Jamaican spiritual beliefs to life, bridging the past and present, the seen and unseen. His art captures the essence of Jamaican folklore, where mystical forces of nature are ever-present and alive. In Nattoo’s work, the Jamaican landscape becomes a sacred space where nature and spirituality intertwine. The River Mummas, ethereal beings with flowing hair and golden combs, inhabit Jamaica’s rivers, offering protection and blessings to those who honor them with rituals and offerings. Meanwhile, birds like the John Crow and seagulls act as messengers and guides, their presence signaling caution or safe passage to those attuned to the natural world. These elements of folklore are not just stories but expressions of a deep cultural connection to the environment. Nattoo’s art invites viewers to experience this timeless relationship, where the natural and supernatural coexist, shaping the identity and values of the Jamaican people.
Ebenezer Akinola’s work aligns with contemporary figurative art through its vibrant use of color and exploration of cultural themes. By incorporating masks into his work, Akinola bridges the past and present, creating a dialogue between African heritage and modern artistic expression. Compared to other renowned figurative artists like Amoako Boafo, Lucian Freud, and Alice Neel, Akinola’s use of Nigerian masks highlights his dedication to celebrating African identity. This unique approach enriches the broader genre of contemporary figurative art, adding layers of cultural significance and reinforcing the importance of cultural heritage in shaping modern aesthetics.
This exhibition offers a rich tapestry of spiritual and cultural narratives, showcasing the power of art to transcend boundaries and connect us to our shared humanity. Through their exploration of folklore, spirituality, and contemporary themes, these three artists invite us to reflect on the enduring bonds between the past and present, the natural and supernatural, and the global and local. Their works remind us that art is not just a reflection of the world around us but a bridge that links us to deeper truths and universal experiences.
RICHARD NATTOO, The Wanderer’s Offering, 2024. Watercolour, Pen & Ink, Water from the Rio Grande and Benta River, Jamaica on Canvas | 23 x 31cm
RICHARD NATTOO, The Black Rabbit and the River, 2024, Watercolour and Pen and Ink, Water from Mayfield falls, Jamaica | 46 x 61cm
RICHARD NATTOO, The High Rooster of the Never ending Night, 2024, Watercolour, Pen & Ink, Water from the Benta River, Jamaica on Canvas | 23 x 31cm
RICHARD NATTOO, The Wanderer, The Rabbit and the River, 2024. Watercolour, Pen & Ink, Water from the Rio Grande and Benta River, Jamaica on Canvas | 122.5 x 152.5cm
RICHARD NATTOO, River Mumma I, 2024, Watercolour, Pen & Ink, Water from the Rio Grande and Benta River, Jamaica on Canvas | 102 x 127cm
RICHARD NATTOO, Can I tell you a story?, 2024, Watercolour, Pen & Ink, Acrylic, Water from the Rio Grande and Benta River, Jamaica on Canvas | 142 x 175cm
RICHARD NATTOO, River Mumma II, 2024. Watercolour, Pen and Ink, Acrylic, Water from The Salt River, Rio Grande and Benta River in Jamaica | 99 x 127cm
Adegboyega Adesina, Portrait of Daley, 2024, Acrylic on Canvas, 29 9/10 × 29 9/10 in | 76 × 76 cm
RICHARD NATTOO, The Majician and the Red Moon, 2024. Locally sourced Ghanaian Kente, and Jamaican fabrics, doilies and trimmings, Yupo Paper | 145 x 145cm
RICHARD NATTOO, Song of the New Moon and the Never Ending Night, 2024. Locally sourced Ghanaian Kente and Jamaican fabrics, doilies and trimmings, Yupo Paper, Galvanized Metal, Wood, Ink | 65 x 243cm
NEDIA WERE, Musa Nono in the Garden of Eden, 2024. Oil and Acrylic on linen | 166 x 194 cm
NEDIA WERE, Hellconia sexy pink, 2024, Oil and acrylic on canvas | 123.5 x 124 cm
NEDIA WERE, Homesick, 2024, Oil on canvas | 170 x 140cm
NEDIA WERE, Drynaria Rigidula at Night, 2024, Oil on canvas | 140 x 140cm
Ayogu Kingsley, Saturday Morning, 2023, Oil on Canvas, 42 1/10 × 54 3/10 in | 107 × 138 cm
EBENEZER SAMUEL AKINOLA, Untold Stories, 2024, Oil on linen | 156.6 x 120cm
EBENEZER SAMUEL AKINOLA, He said he’d give me the world, 2024, Oil on linen | 162 x 101 cm