This joint exhibition sees two artists in dialogue, surrounding abstraction, surrealist methodology and a focus on the natural world. Each bring an exceptional relationship to colour, form and light - marrying skill and technique with sentimentality and a greater appreciation for expanding beyond practice.
Eclectica Contemporary is pleased to present Hot Mess, the third iteration of our collaboration with Morgenster Wine Estate, showcasing works by Good Good Boy. "Good Good Boy’s work is multidisciplinary and inspired by the experience and reflection of ‘self’ amidst the swirling influences of
The Repenters, a show by Hasan and Husain Essop The Repenters Mask, as noun and verb, is typically understood as a disguise. We hide our faces behind a mask. Or, we better express ourselves in-and-through a mask. Despite the thrill a mask inspires,
The Baddies of Isandlwana, a solo show by Desire Marea Desire (Duma Buyani) was born in the serene coastal town of Scottburgh, KwaZulu-Natal, in 1991. Today, he makes his home and hones his craft in the vibrant community of Amandawe, within the same
Yasmine Yacoubi Yasmine Yacoubi is an artist with a rich and diverse background, having lived across four continents, which has deeply influenced her artistic journey. Growing up between Dresden and Casablanca, and later living in places like France, Australia, Chile, and presently South
Greywacke Eclectica Contemporary is pleased to present Greywacke, a solo show by Jacobus Kloppers. The title Greywacke embodies the essence of this exhibition, drawing from the stone formation utilised by early Dutch and British colonisers in the construction of iconic architectural marvels. The
Passages Eclectica Contemporary is pleased to present Passages, the second iteration of our collaboration with Morgenster Wine Estate, showcasing works by Nina Holmes. The exhibition opens on Saturday, 11 May 2024 at Morgenster Wine Estate, Vergelegen Avenue, Off Lourensford Rd, Somerset West, Cape Town.
When I visited Venice eighteen years ago it was overrun with migrants. The experience left a vivid and lasting impression. It also made the invitation to the 60th Venice Biennial all the more ironic, considering the theme "Foreigners Everywhere." Unsurprisingly, numerous pavilions delved
Good Good Boy’s work is multidisciplinary and inspired by the experience and reflection of ‘self’ amidst the swirling influences of the internet, pop culture, social media, socio-politics and intra and interpersonal relationships. Good Good Boy gives this a go through swathes of wild colour
The Non-Art Crowd by Ashraf Jamal African matters, in this case its art, is a fraught wager, given the burden of history, immoral expediency, fetishism, and a greater range of prejudicial and projected perceptions as to what Africa, a benighted continent, might mean for
