The Afterlife of Empire brings together artists from across Africa whose work considers the ways histories of empire and colonialism continue to inhabit the present.

The exhibition does not seek a single African narrative. Instead, it brings different histories, places and sensibilities into proximity, asking what survives when political structures change: in the city, in the landscape, in the body, in memory and in the imagination.

The works move between history and the contemporary, between what is inherited and what is being remade. They consider questions of power, race, identity, migration, extraction, belonging and desire, while resisting the idea that these histories can be neatly resolved.

In this sense, the “afterlife” is not simply what remains of empire. It is also the space in which inherited histories are reworked, disrupted and imagined otherwise.

From Johannesburg and Cape Town to Lagos and Cairo, the artists gathered here approach these questions differently. Some confront history directly; others arrive at it through landscape, architecture, the body, memory or the everyday. Together they suggest that the past is neither finished nor fixed, but continues to shape and sometimes distort the ways we inhabit the present.

The exhibition asks not only what empire left behind, but what we might do with what remains.

Thando Phenyane
Shenge, 2026
Acrylic on Canvas
53 x 77 x 5 cm

Desire Marea
Khokho Mademoiselle, 2026
Print on Hahnemuhle Photorag
(1/5)

Williams Chechet
What is your Dream, 2020
Archival Giclee Print on Paper
(1/5)
120 x 100 cm

 

Khaya Witbooi
Martyr #2, 2014
Spray Paint on Paper
65 x 44 cm

Ayanda Mabulu
The Healers (African Renaissance), 2026
Oil, Table Spoons and Gold Leaf on Canvas
500 x 280 cm

Lebogang Mbewe
After Extraction, Between Ruination and Repair
Hand-stiched and Tufted Cotton, Acrylic & T-shirt Yarn on Monks Cloth
141 x 85 cm