Drenched in surrealist, whimsical symbolism, Nigerian artist Olamide Ogunade's solo exhibition with Eclectica Contemporary offers a vivid meditation on the poetics of stillness, situating the Black figure within richly textured domestic and natural environments. Ogunade's portraits invite a double reading; they are documents of dignity situated in place and history, and portals into dreamy, interior worlds that feel intimate and fleeting.

Je’ni isi isi, translated from Igbo as “go to the beginning”, is both an invocation and an artistic excavation. This solo exhibition by Ebuka Pascal Agudiegwu is a deliberate act of re-entering the mythic, imaginative space from which the artist's visual language first emerged. Artworks that act as dreamscapes manifest as alternate representations of Western archetypes, and shift the paradigm of narrative devices, suspended between worlds, referencial works such as 'A Match Made in Heaven' invoke visual drama's within the European canon, and imbued by the artist's reframing, and realignment with the 20th-century modernist preoccupation with “the return”, Picasso’s engagement with so-called “primitive” forms, or Chagall’s dreamscapes that collapse memory and myth. Illustrative and majestic, these paintings operate as sites of remembrance and reinvention.

Sahlah Davids' solo exhibition 'Pinned to Memory' is a showcase of how space shaped identity. The pin, the bead, the ruching of fabric, materials that pierce yet bind, hold together what memory might otherwise unravel. Sahlah Davids’ practice emerges from a deep engagement with the acts of unpicking and recollecting, weaving together fragments of history and material culture through layered textiles, clusters of dressmaking pins, and luminous beads. Her work transforms these humble elements into vessels of memory, quiet but powerful objects that speak of generational stories passed down through the hands of both men and women.