Disturbing the Stereotypes - KWAAI Exhibition 2020 Art goes beyond mere entertainment – it is an ancient way of expressing who we are and what we stand for that goes back to the first time that humans left their marks on the walls of caves or fashioned forms out of the earth. Art captures and expresses different
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So far Eclectica Contemporary has created 84 blog entries.
Tones brings together ideas that have germinated, growing silently and carefully, over the past few months. Since the beginning of 2020, or perhaps long before, the world has been in various states of flux, requiring a change of pace, a different dynamic and altered means of interaction. Thus, as we shift in tone to new possibilities, acknowledging the tensions and sounds of strain, and
Mimouni El Houssaine lives and teaches fine art in Montpellier although he travels constantly between the two Mediterranean shores of Morocco and Europe. These constant coming and goings are reflected on his canvases in a game of symbols, spattered written texts and horizons in perspective. Mimouni's work weaves the intricate dialect of yearning for other shores,
Elsewhere - Hussein Salim Hussein Salim is no stranger to travel, finding new environments, adapting to new living spaces. Having traveling extensively since leaving Khartoum, Sudan in the 1980s, his experiences have layered his work with a dense patterning of memory, reminiscence of place and intricate symbolisms influenced by different cultural contexts. A poem titled The Importance of Elsewhere by
Asanda Kupa - Relearn, my soul Kupa’s latest body of work that follows up from his previous solo. Relearn, my soul is a culmination of a period of Kupa’s self-investigation that grappled with the importance of the three stages of life: birth, life and death. His explorations have taken him on a journey to find himself, and in the process
HUSSEIN SALIM As a result of a tumultuous political and economical period in Sudan, which brought about disputes of its historical context, Hussein Salim spent a number of years as a refugee in various countries such as Egypt and South Africa. Despite his artistic training in Khartoum University, he attained his Master’s degree in art at the University of Kwa-Zulu Natal,
SOLO BOOTH C10 Nina Holmes The fear and embarrassment of obsolescence makes for a civilization that is not civil but instead one that is hardened to any body or thing that is deemed worthless and has thus become irrelevant to societal functioning. My current body of work deals largely with the notions of uselessness, irrelevance and invisibility surrounding both people and inanimate objects
Eclectica Contemporary is situated in the heart of Cape Town’s CBD. It hosts an impressive, carefully chosen, group of Artists. The Gallery, with it multiple levels set in an historical heritage building, attempts to question old traditions with new voices in Contemporary Art. In our ‘Fusion Vol 3.’ exhibition, we have selected a group of esteemed South African Artists. Each Artist
Borders are critical and complex entities, concepts and constructs. Many artists have engaged with notions of permeability, transience and constraints in relation to borders but few have dealt with the impressions of borders and their bureaucratic ephemera as tangibly as Onyis Martin. Before Tomorrow Comes is a presentation of his latest body of work, as a solo exhibition at a Eclectica
Democrazy: a demonstration of craziness, a solo exhibition at Eclectica Contemporary In 2018, Ofentse Seshabela first exhibited with Eclectica Contemporary. First on a group exhibition at the gallery and then at the FNB Joburg Art Fair. His installations of collage, smudging and juxtapositions have grasped young children, experienced collectors and old mavericks alike. Most notable was his questioning work ‘Land?’ installed